outlined in book II of the Republic, 369c-372d, containing farmers, craftsmen, merchants, and wage-earners, but lacking the guardian class of philosopher-kings as
and he imagines Kurtz as a sort of savior, a man who redeems imperialism with hard work and a firm moral grounding. Much of Marlow's descriptions of the natural scene,
no critical thought is allowed, into communities that engage in messianic dreaming with no reality-based action (Bion, 1959; Randall & Southgate, 1980). Just because
music, however, will also be depicted as a redeeming force. Near the end of Chapter 7, Alex manages to comfort and protect himself by concentrating on Beethoven's
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