the 1920s and 1930s‚ and in the 1940s he crossed the Atlantic once again‚ spending periods in New York and Hollywood. His art spanned painting‚ sculpture‚ film‚ prints and poetry‚ and in his long career he worked in styles influenced by Cubism‚ Futurism‚ Dada and Surrealism. He also successfully navigated the worlds of commercial and fine art‚ and came to be a sought-after fashion photographer. He is perhaps most remembered for his photographs of the inter-war years‚ in particular the camera-less
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industrial societies and the rapid growth of cities‚ followed then by the horror of World War I‚ were among the factors that shaped Modernism. Modernism term encompasses a variety of specific artistic and philosophical movements including symbolism‚ futurism‚ surrealism‚ expressionism‚ imagism‚ vorticism‚ dada‚ and others. The guiding principles of this movement were a break from old traditions. Cubism Cubism is a style of painting and sculpture developed in the early 20th century‚ characterized
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Photography had been around for over 20 years before the civil war started on April 12th 1861‚ but became increasing popular just before the conflict broke out‚ due to the development of new techniques. The photography process was complex and very time consuming‚ photographers had to mix their own chemicals and prepare their wet plate glass negatives. The negatives has to be prepared‚ exposed‚ and developed before the emulsion dried. Figure 1- Engineers of the 8th New York State Militia in
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are often traced back to painter Édouard Manet‚ who beginning in the 1860s broke away from inherited notions of perspective‚ modeling‚ and subject matter. The avant-garde movements that followed — includingImpressionism‚ Post-Impressionism‚ Cubism‚ Futurism‚ Expressionism‚ Constructivism‚ De Stijl‚ and Abstract Expressionism — are generally defined as Modernist. Over the span of these movements‚ artists increasingly focused on the intrinsic qualities of their media — e.g.‚ line‚ form‚ and colour — and
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Schoenmaekers. This movement also influenced the Bauhaus style and the international style of architecture as well as clothing and interior design. However‚ different from Bauhaus‚ De Stijl didn’t follow the general guidelines of an “ism” (Cubism‚ Futurism‚ Surrealism)‚ nor did it held the
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in Paris 1912 and a technique he used‚ chromatic cubism. From then onwards‚ Macke has been influenced by his artworks. In Macke’s Shop Windows in particular is considered to be a personal interpretation of Delaunay’s Windows‚ combined with Italian Futurism. In 1914‚ he travelled to Tunisia with Paul Klee and Louis Moilliet‚ experiencing the exotic atmosphere which was fundamental to the creation of the luminist approach‚ seen in his final period. During this period‚ he created a
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painters including Pablo Picasso‚ whom he revered. He also met Joan Miro‚ the Spanish painter and sculptor who‚ along with poet Paul Eluard and painter Rene Magritte‚ introduced Dalí to Surrealism. By this time‚ Dalí was working with Impressionism‚ Futurism‚ and Cubism. Dalí’s paintings became associated with three general themes: depicting a measure of man’s universe and his sensations; the use of collage; and objects charged with sexual symbolism‚ and ideographic imagery. As war approached in Europe
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at a possible demise by illustrating images of the moon waning or setting; thus‚ the poem shifts to suggest that the oppression of women could end if only they seek to define themselves outside of the moon’s shadow. Originally part of the Italian Futurism movement‚ Loy later joined the feminist movement as a response to the futurist’s misogynistic attitudes‚ allowing her to focus on the theme of empowering women through self-knowledge‚ exemplified by the earnest portrayal of patriarchal culture and
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Journal of Vacation Marketing Volume 5 Number 4 Academic Papers Strategic theming in theme park marketing Kevin K. F. Wong and Phoebe W. Y. Cheung Received (in revised form): 20th May‚ 1999 Department of Hotel and Tourism Management‚ The Hong Kong Polytechnic University‚ Hung Hom‚ Kowloon‚ Hong Kong Tel: (00 852) 2766 6341; Fax: (00 852) 2362 9362; E-mail: hmkevinw@polyu.edu.hk Kevin K. F. Wong‚ PhD is a Senior Lecturer in Tourism and Manager of the HTM Resource Centre in the Department of Hotel
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paint‚ instead of following any art tendency. The artist uses mostly straight lines and you barley can see three or four circular lines in the whole paint. By doing this‚ it is captivating how he gives to the spectator the impression of CUBISM or FUTURISM in an abstract way. In addition‚ he created a sense of movement in the pain by using a combination of colors. If you analyze the paint in deep‚ you would be able to see that it is not a static paint. He puts a lot of effort to making it dynamic.
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