Contents Topics Pg. Main objective of the study 2 Type of design 3 Nature and sources of design 3 Methods of data collection 5 Survey/questionnaire design 5 Measurement and scaling of variables 10 Sample design 16 Data analysis plan 17 Main objective of the study The main objective of our research is to find out how to improve the ticket sales of Big Cinemas. For this purpose we analyzed both internal and external environment of big cinema. We also determined the strength and
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In the early 1900s Italy was the first to start a new advangarde movement in the cinema production‚ thanks to the art movement Futurism. The Manifesto of Futuristic Cinematography dates back to as early as 1916 some sources even started earlier. To the futurists‚ the cinema was an ideal form of art for their "wonderful plays"‚ being the start of a new artistic medium. As film had with no past and able to be manipulated by editing and simple special effects it became a new creative and subversive
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French Cinema Scene analysis The scene from the movie Rules of The Game by Jean Renoir shows many camera techniques and uses the camera to clench the true meaning of the screen. I will be discussing and analyzing the scene. The film beautifully demonstrates the use of precise shots and perfectly executed scenes. Throughout the scene of The Rules of the Game the camera is like another person in the room. It is invisible and wanders throughout the building almost like it is someone following what
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Cinema Paradiso is set shortly after World War II in Salvatore Di Vita’s hometown of Sicily. Salvatore‚ nicknamed Toto‚ is a small child with a love for film who creates a close friendship with Alfredo‚ the cinema’s projectionist. Youth‚ the first theme we will discuss involves the trials and tribulations Toto goes through at the start of the movie. Toto has lived at least a few years without a father figure as his father went away to fight in World War II. After the war‚ however‚ his father does
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IMPACT AESTHETICS: BACK TO THE FUTURE IN DIGITAL CINEMA? Scott McQuire Millennial fantasies As anyone interested in film culture knows‚ the last decade has witnessed an explosion of pronouncements concerning the future of cinema. Many are fuelled by naked technological determinism‚ resulting in apocalyptic scenarios in which cinema either undergoes digital rebirth to emerge more powerful than ever in the new millennium‚ or is marginalised by a range of ‘new media’ which inevitably include some
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Through their eyes Cinema of unease is a genre viewers often find ‘Awkward’ to watch. This is because of the atypical behaviour that viewers are not use to viewing. In the films ‘In My father’s den’ directed by Brad McGann and ‘Heavenly Creatures’ directed by peter Jackson the audience are drawn into this film genre ‘cinema of unease’ it maybe that the unusual behaviour we find rather attention-grabbing. Both films are directed by New Zealanders showing the same effect of brooding and dark themes
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LITERATURE AND CINEMA FANTASY IN FILMS Life is a Theme of Literature‚ Literature is the expression of Life. Life fashions Literature and Literature moulds Life. The intimate relation between Literature and Cinema is one of the common place truths which have been illustrated again and again‚ both Social and literary life history. Literature is the most fascinating creation of a literary artist based on the style and stategy of life. Life and reality are the basics
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Freud’s Oz: Freudian Views in The Wizard of Oz The film The Wizard of Oz is definitely about the concept of returning home. This is made clear throughout the film. Dorothy’s entire time in Oz is spent trying to get back home to Kansas. Then when she gets back home she tells Aunt Em that "all I kept saying to everybody was I want to go home.’" This fits perfectly with the time‚ 1939‚ that The Wizard of Oz was produced. One reason was that due to the depression‚ many people were forced away
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The cinema of attraction. ‘A matter of making images seen.’ This is what Fernand Léger was writing in 1902 about the new art‚ trying to describe the possible changes in cinema‚ by emphasizing the fact that imitating the movements of nature is not necessarily the best way of defining cinema’s essence. This is only one of the writings concerning this topic which influenced Tom Gunning in characterizing the cinematic period before 1906 as that of the ‘cinema of attractions’. In this essay I am
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Introduction Indian Cinema is very powerful medium to communicate with Viewers. Films are not only the popular medium of Entertainment but it is also the powerful medium of Education. Cinema means a creative expressions ; it performs the functions of Mass Media ‚ such as Education & Transmission of culture. Films are widely popular and thus Audio Visual nature provides people a pervasive power of social influence. It works as a catalyst for social change. Today Cinema Commands the respect accorded
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