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Zelda Fichandler Interview Zelda Fichandler My work: The Public Bosom (before The Arena Stage) She Stoops To Conquer Our Town Inherit The Wind The Great White Hope
Submitted by rm179003 on July 2, 2008
Category: Miscellaneous
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Zelda Fichandler
My work:
The Public Bosom (before The Arena Stage)
She Stoops To Conquer
Our Town
Inherit The Wind
The Great White Hope
Indians
Moonchildren
Pueblo
A History of the American Film
The Madness of God
Women and Water
K-2
Enrico IV
The Crucible
The Three Sisters
Death of a Salesman
Six Characters in Search of an Author
The Ascent of Mt. Fuji
∑ What kind of theater most interests you?
I think I am an Arena style director. Obviously I founded The Arena Stage in Washington D.C. with this preference in mind. I find though that the same principles of collision and withdrawal apply on a proscenium as they do in an arena. I believe most human action is organized in terms of forces of attraction and repulsion. It is essentially a form that choreographs the psychology of motion; the meaning and needs become visible.
∑ What’s the most important aspect of the preparation for you?
To me the greatest mystery of the world is knowing about oneself and the heart of a person sitting at a foot’s distance. That distance is enormous. The theatre aims to know that heart, to cross that space. To reach this place I find the “zamissel”. This is a Russian word. It means “the pervading sense”. I spend a lot of time on the design of the space when the psychological pulls are related to place. I prefer intensive study and preparation. I work for months looking for the exact zamissel or idea or super-objective, if you will, that explains every action, every breath, every pulse, and every second of the life of the play and unlocks its hidden conflict. This knowledge releases my imagination. I believe imagination is too thin, or lacking in strength and too fragile to build on without knowledge.
∑ Which element of a production most...
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