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You are the best. This is just a test richard avedon was born in new york
on may 15, 1923 of russian-jewish immigrant parents. he ...
... You never give up on me, and that's what keeps me going. • You are simply
irresistible • I love you because you bring the best out of me. ...
... When hope is the only way, all you can do is try as much as you can to try and tip
the scale towards what you think is best, and what you think is the right ...
the best gift you can give yourself. ... Mudd 1 Running Head: The Best Gift The Best
Gift You Can Give Yourself Evan Mudd Ms. Schafer April 28, 2005.
... I admit it’sa minor substitute for creativity, but it will help you choose
the best words to project your message clearly. When ...
Submitted by okayplayer on October 29, 2006
Category: Biographies
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This is just a test
richard avedon
was born in new york on may 15, 1923 of russian-jewish
immigrant parents.
he attended dewitt clinton high school in the bronx,
but never completed an academic education.
in 1940, at age 17, avedon dropped out of high school
and joined the merchant marine\'s photographic section,
taking personnel identification photos. later, he went on
several missions to photograph shipwrecks.
upon his return in 1944, he found a job as a photographer
in a department store. Initially, avedon made
his living primarily through work in advertising.
as a staff photographer for harper\'s bazaar and later
for vogue, avedon became well known for his stylistically
innovative fashion work, often set in vivid and surprising
locales.
‘if a day goes by without my doing something related to
photography, it’s as though I’ve neglected something
essential to my existence, as though I had forgotten to
wake up,’ he said in 1970.
---
portraits
although avedon first earned his reputation as a fashion
photographer, his greatest achievement has been his
reinvention of the genre of photographic portraiture.
his ability to express the essence of his subject.
avedon’s pictures continue to bring us a closer, more
intimate view of the great and the famous.
the portraits are often well lit and in front of white backdrops,
with no props or extraneous details to distract from their
person - from the essential specificity of face, gaze, dress,
and gesture. when printed, the images regularly contain
the dark outline of the film in which the image was framed.
avedon\'s photographs confront us with miners, unemployed
people, drifters, farmers, cowboys, and convicts, often...
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