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word up in the maaa how she go there hey now ho now? However, the "old" European attitude, and the attitude that attracts many modern performers to early music,
track made me doubt myself. The beat is OHHHH MAAA GODDDD the best intro beat in BPC history. Right away I noticed 180's improvement from good word play ("when heaven
was just seventeen when she gave birth to me?it makes me realise how young we youth of today really are." (p79) SNOBBERY John: "I will not associate with pretentious
Mama was just seventeen when she gave birth to me?it makes me realise how young we youth of today really are." (p79) SNOBBERY John: "I will not associate with pretentious
Submitted by nb_lad on June 21, 2005
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how she go there hey now ho now?
However, the "old" European attitude, and the attitude that attracts many modern performers to early music, is exactly the opposite of the modern attitude:
1. Music is a strictly local expression, rich in variety since each culture expresses affective differences through art, 2. Music is a poetic process--complex, vague, and irrational--based upon borrowed traditional musical materials (melodies, rhythms, forms, etc.), 3. Music is for a religious, elitist-class performer who can understand and appreciate its mysterious nature and power, 4. Music is played softly in intimate gatherings, 5. Music making is the activity of Everyman, exacting the talents of variously trained amateurs who, with industry and practice, decorate their recreation and leisure in moments of social intercourse.
In terms of the technical differences between the art music of early times and that of the modern period (i.e., after 1600) we can identify five specific features that make post-1600 styles in music sound more or less "familiar."
1. Wide-ranging, dynamically expressive tonal melodies are played in equal temperament and generated from logical tonal harmonic progressions. 2. A simple, isometric, and restricted rhythmic range is used. 3. The texture is homophonic, that is, a principal melody line with accompaniment. 4. Clear periodic formal structure is favored. 5. The instrumentarium is restricted and standardized.
On the other hand, the pre-1600 styles in European art music are based upon the following features:
1. Narrow-ranging, dynamically restrained modal melodies are played in a variety of tuning temperaments that generate an "illogical" modal harmonic succession. 2. An unrestricted range of multimeters, polymeters, and complex rhythms are used. 3. A texture of two or more independent and equally important melodies accompany one another (i.e., polyphony). 4....
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