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Twelfth Night Comedy in Other Writings Twelfth Night Comedy in Other Writings While Great Expectations and Gulliver's Travels were not written as comedy, humor is
All's Well that End's Well, Measure for Measure, Troilus and Cressida (sometimes classified as a tragedy), Twelfth Night, As You Like It, Much Ado About Nothing,
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Venice, Parts I and II of Henry IV, Much Ado about Nothing, Henry V, Julius Caesar, As You Like It, and Twelfth Night. The comedies of this period partake less of
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Submitted by juliaeverest on April 30, 2005
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Twelfth Night Comedy in Other Writings
While Great Expectations and Gulliver's Travels were not written as comedy, humor is seen in them. The comedy in Shakespeare's Twelfth Night can be related to the comedy in those writings, although Shakespeare used a variety of comedic techniques, not used in either Great Expectations or Gulliver's Travels. The comedy in Twelfth Night varies greatly from the comedy in Great Expectations and Gulliver's Travels at times. Irony is a common comedic element seen in all three works. Jonathan Swift's Gulliver's Travels is commonly known as a satire, therefore it uses improbable irony as a tool. The misfortune, ridiculousness and contradict of Gulliver's adventures is funny. For instance, he, an almighty human, was tied down and restrained by people the size of his finger. In Twelfth Night irony is also used. For example, Olivia fell in love with the woman, viola, dressed as a man, Cesario, who was to woo Olivia, for the duke. It is an unexpected, contradicting turn, mostly because of the couple's gender, but also because of the going-ons during which it happened. In the following Viola finds out of Olivia's love:
"Viola: I left no ring with her. What means this lady?
Fortune forbid my outside have not charmed her!
She made good view of me, indeed so much
That sure methought her eyes had lost her tongue,
For she did speak in starts distractedly.
She loves me, sure! The cunning of her passion
Invites me in this churlish messenger."
(Shakespeare, Act 2, Scene 2, Lines 15 and 20)
The love triangle Shakespeare uses to twist the plot is ironic. In Great Expectations is the main comedic tool, although it is not a satire. It is ironic how Estella, who was out to break Pip's heart at the beginning, has her own heart broken and seems to reconcile with him in the end, appearing to intend to never again part,
"I took her hand in mine, and we went out of the...
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