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Sistine Chapel

Submitted by anaconda1121 on September 12, 2005

Category: History Other
Words: 1394 | Pages: 6
Views: 139
Popularity Rank: 70,715
Average Member Grade: N/A (Add a Comment / Grade this Paper)

Michelangelo de Buonarotti, a distinguished painter, sculptor, architect, and poet of Italy was born in 1475 in the territory of Arezzo, in Tuscany. His time was of a new age of enlightenment where artistic and inventive freedom was beginning to come back into the forefront, Michelangelo stands as the archetype of the Renaissance genius, with a talent that transcends time and continues to influence and inspire contemporary artists. Michelangelo grew up and was first exposed to stone carving, “he regarded himself first and foremost as a sculptor.” (FIERO) Michelangelo was commissioned by Pope Julius II Della Rovere in 1508 to repaint the ceiling of the Sistine Chapel frescoed earlier by Piero Matteo d'Amelia with a star-spangled sky. Buonarroti, who had always regarded himself as a sculptor, would now have to perfect the art of fresco. Michelangelo's lament that "painting is not my art" proved a hollow objection since the pope's stubbornness was greater than his. However, like all commissions that Michelangelo initially resisted, once he reconciled himself to the task, he threw himself into it with unrestrained energy. For four years, from 1508 to 1512, Michelangelo struggled with the manifold difficulties of painting nearly ten thousand square feet of a highly irregular, leaky vault. “Michelangelo inherited an enormous project more than three decades later, in 1547 having proved himself, among his other accomplishments, the most inventive and influential architect of the century.” (BECK) He painted the Last Judgment over the altar, between 1535 and 1541, being commissioned by Pope Paul III Farnese.

The Last Judgment, which Michelangelo finished in 1541 was the largest fresco of the Renaissance, it depicts Judgment Day. The entire ceiling and the altar wall were done in pure fresco. “Michelangelo declared that he would only do it in fresco, and that oil painting was a woman’s art and only fit for lazy well-to-do people.” (DeVECCHI)...

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