OPPapers.com

Scene Breakdown From Seven

Technical/Artistic Blocking & Continuity For scene 1
Jess’ Thomas-Hall
0801
Costume:
 Jeans and leather belt
 Light blue button up shirt
 Black faded leather jacket
 Runners

Physicals:
 rub bridge of nose, and eyes with RH thumb and forefinger
 run my LH fingers through my hair

Pieces of business:
 Keys
 Sunglasses
 20c coin
 Gun - pistol

I Walk into room holding keys in RH (1st piece of business - just arrived in a car), turn clockwise at Mark 1 (to ask Somerset a question to reassure myself) but first puts keys in right coat pocket after spinning them twice at shoulder height (not intending to go back to the car just yet), say “You’re sure you’re reading that right?”, take sunglasses off and puts them on forehead with RH (2nd piece of business – moved because of the lack of sun inside) continue “John Doe?” and rub bridge of nose, and eyes with RH thumb and forefinger (1St physical - Eyes adjusting to light, nose sore from glasses) Somerset says “That’s what it says. Jonathan Doe.” I Turn anticlockwise to continue walking (satisfied with Somerset’s response) on the way to Mark 2 take glasses off head with RH and place in left inside coat pocket (2nd piece of business Cont. - they are irritating and uncomfortable on my head).

Hit Mark 2 and turn to face Somerset (asking another question of older more experienced partner, feeling reserved about current situation, looking for more reassurance that we are not here out of futility) and say “This is stupid. It’d be just too easy.” Somerset replies “We’ll take a look at him. Talk to him” I retort (somewhat sarcastically) “Sure. Uh, excuse me… Are you by any chance a serial killer? Oh, you are? Well, come with us then, if it’s ok.” Turn toward and move to Mark 3 (content that I have made my point to Somerset and ready to proceed).

Hit Mark 3 and tap Somerset on chest with RH (to get him to stop so I can ask for yet more reassurance about the possible upcoming confrontation),...