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Psychological Approach on the Film "Suicide" Psychological Approach on the Film "Suicide" Suicide" is a German film directed by Raoul W. Heimrich, which clearly
novel by Robert Louis Stevenson, Dr. Jekyll and Mr. Hyde, one must approach this 19th century novel with new eyes, unfettered by the recent film versions of the tale,
were exclusively auditory, and not both visual and auditory as shown in the film. It is true that his handlers, both from faculty and administration, had to introduce
1 October 2006. Preti, Antonio, De Biasi, Francesca, and Paola Miotto. "MUSICAL CREATIVITY AND SUICIDE." Psychological Reports 89.3 (2001): 719. Academic Search Premier.
that the rise of the Nazis in Germany was attributed to the incomplete victory of the Allies in World War One. Anything less than careful defeat, it was maintained,
Submitted by lyza_purple8 on September 28, 2005
Category: Psychology
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Psychological Approach on the Film "Suicide"
"Suicide" is a German film directed by Raoul W. Heimrich, which clearly portrayed how the three psychic zonesid, ego, and the superego function in an individual. Moreover, this film also depicts the different ideas of the defense mechanisms of an individual wherein the "channeling" occurs. All in all, this film examines the negative effects of the imbalance of these three psychic zones and the abnormality of that behavior in a person, which will be discussed in this paper.
First, let's scrutinize the film by looking at the behavior of the couplethe man and the woman. In the film, they embark on a film project meant to document people in the act of committing suicide. The woman, who acted as the id because she is obsessed in seeing people committing a suicide while the man, who act as the ego does the recording of the suicide attempts. This only proves that the id (the woman) drives the ego (the man) to do it without paying attention to the superego (the society they're in). Also it shows that when the id is not balance by the ego it manifests the dominant one which is the darker side of that individual. From these, I draw out that the whole film is a representation of a person. As we can see, the woman is just like the id that's full of the darker side of the human mind. In the film, she is demonstrating an obsession of seeing people committing a suicide. Also, in the film, it is stated that she wanted not just an ordinary kind of suicide but a bloody and a gross one. As the film progress, the obsession becomes an addiction; the woman doesn't want to stop even though the man who represents the ego wants to put an end to it. Also, another concept we can see here is the first premise of Freud that states, "most of the individual's mental processes are unconscious." With this example, we can prove that the first premise is true because in the film it is showed that the...
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