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The Photograph as a Medium The Photographer Since the invention of the camera in 1839, photography has transformed the entire nature of art in that it brought about
Nil Bloodstain Sequencing Images ? IMG_142, IMG_143, IMG_145 Image IMG_142 is a medium range photograph in portrait orientation showing a transfer bloodstain (identified
to the artists eye, it can only be manipulated with light and angles. The photograph is a very powerful medium. The French painter Paul Delaroche exclaimed upon seeing
hand present day, the increasing response to an unusual photograph is "They did that with PhotoShop." Where does this leave a medium whose mission is to deliver a
believed that an art photograph should only be made with a large negative with maximum depth of field, Europeans were busy experimenting with new uses of the medium
Submitted by sw623 on November 15, 2005
Category: Miscellaneous
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The Photographer
Since the invention of the camera in 1839, photography has transformed the entire nature of art in that it brought about a great revolution of the traditional arts, pushing it from depictions of a world we already knew to expressions of inward gestures and creativity. Photography conveniently replaced with images the words that were once essential to describing a visual. These images are in fact very different in nature from the continuous action of television, as well as the timeless sculpture. They cheat the limitations of time and space by freezing and stopping the clock before declaring ownership to the space associated. The technology of the photo is thus fabricated by the desire to give permanence to daily feelings and experience. The photograph is a medium with the ability to isolate a single moment in time which in turn can be duplicated and endlessly re-created. However, the context in which it is taken remains obscure, giving the photo and the photographer the power to transform the particular moment in reality that is supposedly portrayed.
Regardless of the content and technology of the photo or the message, mankind¡¯s ¡°avid desire to prostitute itself,¡± in McLuhan¡¯s words, is undeniable. Not only is the photographer¡¯s name displayed by his work, his opinion also extends to his viewers. Therefore, photography is in actuality an extension of the photographer mass produced through our media. Instead of challenging the current media environment as a counter irritant alerting us to the effects of technology, photographers fully exploit the technologies available for selfish purposes to capitalization.
The intricate relationship between the photographer and his camera brings new light to assessing the content of a photograph or the message it carries. More specifically, if the message is the photograph, then the camera is the tool that allows for the photograph to be taken. Thus, the...
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