Mid Summer Dream
A bank whose workers don't want to go home A creek runs through it Green buildings and bright workers Just rewards and perverse incentives Windows, light, and air Every building a forecast Harvesting bananas in the Rockies Urban forests Walkable cities
In southeastern Amsterdam, at a site chosen by the workers because of its proximity to their homes, stands the headquarters of a major bank. Built in 1987, the 538,000-square-foot complex consists of ten sculptural towers linked by an undulating internal street. Inside, the sun reflects off colored metalonly one element in the extensive artwork that decorates the structureto bathe the lower stories in ever-changing hues. Indoor and outdoor gardens are fed by rainwater captured from the bank's roof. Every office has natural air and natural light. Heating and ventilation are largely passive, and no conventional air conditioners are used. Conservatively attired bankers playfully trail their fingers in the water that splashes down flow-form sculptures in the bronze handrails along the staircases. The building's occupants are demonstrably pleased with their new quarters: Absenteeism is down 15 percent, productivity is up, and workers hold numerous evening and weekend cultural and social events there.
These results surpassed even the directors' vision of the features, qualities, and design process they had mandated for their bank. Their design prospectus had stipulated an "organic" building that would "integrate art, natural and local materials, sunlight, green plants, energy conservation, quiet, and water"not to mention happy employeesand that would "not cost one guilder more per square meter" than the market average. In fact, the money spent to put the energy savings systems in place paid for itself in the first three months. Upon initial occupancy, the complex used 92 percent less energy than an adjacent bank constructed at the same time, representing a...
Please login to view the full essay...