Preview

Metropolis And Mental Life

Good Essays
Open Document
Open Document
587 Words
Grammar
Grammar
Plagiarism
Plagiarism
Writing
Writing
Score
Score
Metropolis And Mental Life
Lindsey Wegner
Professor Frizzell
ARTH 2500-60 Modern Art II
6 February 2014

Georg Simmel’s “A Metropolis and Mental Life” Georg Simmel wrote “The Metropolis And Mental Life” as part of a larger series of lectures about how the big cities are taking over and man is being changed by a rapidly evolving society. Although it was written in the early 20th century, a lot of what he writes about the thriving cities and contemporary towns still applies to what goes on today. Georg Simmel talks about how men should slowly develop on their own and not be forced into a fast, dramatic change. The change in the 19th century demanded the specialization of men and their work. That change made each person a crucial part of evolvement. However, that trait also made men dependent on others around them. Nietzsche, a German philosopher, believed in the forced termination of any competition to avoid being stressed out and worked down by
…show more content…
The stimulation also comes from momentary impressions that end up becoming habitual tasks. Simmel says that habitual tasks take less consciousness and less mental work to complete. That minimizes the onrush of unexpectedness and lessens the stress on the people in the cities. The mind of the modern person is all about money. Everything is made into a math problem and interactions with others are less personal and lack the emotional connection they once had. These short encounters with people make are because of the differences of so many people, that each has their own things to do. Simmel also talks about the other side of living in the cities. He says that the smaller communities can get boring and going to a new evolving city gives people room to grow how they want. It gives people individual space and the freedom to define themselves how they

You May Also Find These Documents Helpful

  • Good Essays

    In the novel this question is asked, “Was there a soul in this enriching, unequal city who didn’t blame his dissatisfaction on someone else” (20)? From what can be seen from both ‘Behind the Beautiful Forevers’ and ‘Development and the City’, the current answer is no, though hopefully the future will change this outlook on life by those residing in…

    • 1146 Words
    • 5 Pages
    Good Essays
  • Powerful Essays

    Apush Chapter 18 Outline

    • 2006 Words
    • 9 Pages

    i)Immigrant arrival provoked many fears + resentments of some native-born ppl. Reacted out of prejudice, foreign willingness to accept lower wages…

    • 2006 Words
    • 9 Pages
    Powerful Essays
  • Good Essays

    1984 Metropolis Essay

    • 1294 Words
    • 4 Pages

    The quote “The object of power is power” is heavily supported by George Orwell’s 1949 novel ‘1984’ and Fritz Lang’s 1927 film ‘Metropolis’ through their intertextual connections and shared perspectives. Both texts were composed around the context of pre and post World War 2 which is clearly evident through their settings, characterisation, themes and ideas. Through Orwell’s and Fritz’s use of dystopic societies, empowerment of women and detrimental dictatorship rule it is blatant that George Orwell’s quote “The object of power is power” is quite strongly supported by the intertextual connections and shared perspectives of Orwell’s ‘1984’ and Lang’s ‘Metropolis’.…

    • 1294 Words
    • 4 Pages
    Good Essays
  • Good Essays

    Fritz Lang's Metropolis

    • 1071 Words
    • 5 Pages

    When we study texts comparatively, the influence of context on various forms of speculative fiction allows us to gain a greater insight into humanity. Through this comparison, we begin to better understand the deindividualisation of society that occurs under corrupt economic and political systems. In other words, we better comprehend how humans lose their sense of self at the hand of oppressive governments who wish to unify society as one. Fritz lang’s, Metropolis, composed in 1927 aims to warn Germany's middle-class society not involved in political or economic affairs of the poverty, conflict and fears of the future. Lang harnesses German expressionism throughout the film to portray a futuristic reality in which the ending conveys positive…

    • 1071 Words
    • 5 Pages
    Good Essays
  • Powerful Essays

    German Expressionism is a unique film style that came out of Weimer Germany, the period between World War I and World War II. It focused mainly on the visual aspects on the screen meant to express emotions that trigger more personal reactions from the audience. According to David Hudson, German expressionism was an exploration "into juxtaposing light and shadow" as well as madness and obsession in an urban setting complete with complex architectural structures. When Fritz Lang's Metropolis was released in 1927, Luis Buñuel wrote that, "if we look instead to the compositional and visual rather than the narrative side of the film, Metropolis exceeds all expectations and enchants as the most wonderful book of images one can in any way imagine" (Hudson). The narrative is supported by the visual images, but more importantly, they are also credited for creating it. It is a feast for the eyes and the imagination. Mise-en-scene is the composition or everything that is visible within the frame. In this paper I will show how Metropolis was impacted by mise-en-scene in the following ways: setting, staging, lighting, and costumes .…

    • 1752 Words
    • 8 Pages
    Powerful Essays
  • Good Essays

    Simmel Modern Individual

    • 1027 Words
    • 5 Pages

    According to Simmel, the development of a protective, rational barrier has a profound impact on individuals living in a metropolis. A modern individual becomes indifferent, the “blasé outlook” becomes a consequence of the urban…

    • 1027 Words
    • 5 Pages
    Good Essays
  • Good Essays

    Critique of Metropolis

    • 841 Words
    • 4 Pages

    In Fritz Lang’s silent film Metropolis, several key characteristics made the movie what it is. One important feature is the Art Deco and Modernistic architecture, which gives the setting a futuristic feel considering these movements were exploding at the time. Another characteristic is the character’s costumes and make-up. Since the movie was a silent one, artists had to make the visual impact very vivid. Hands, used as a motif and/or theme throughout the film, were also a critical influence to the expressions of the characters. Overall, I thought the movie was innovative, but at the same time dull. However, during the late 1920’s I probably would have thought that Metropolis was an alarming and possibly accurate way of looking into future, considering everything that was taking place at the time. I say that it was dull simply because I have never seen a silent film before and I am used to the action-packed loud Hollywood movies. I also thought Metropolis was innovative (at the time) because there was no other film or book like it before. Metropolis was a big step onto the limb of futuristic science fiction.…

    • 841 Words
    • 4 Pages
    Good Essays
  • Good Essays

    NYC Ethnography

    • 376 Words
    • 2 Pages

    “The city is, rather, a state of mind, a body of customs and traditions, and of the organized attitudes and sentiments that inhere in these customs and are transmitted with this tradition (Robert E. Park, The City).”…

    • 376 Words
    • 2 Pages
    Good Essays
  • Better Essays

    Metropolis And 1984 Essay

    • 1383 Words
    • 6 Pages

    Through the study of intertextual perspectives, the relationship between context and key values can become clearer. The personal and historical context of an author can lead them to write about important values of that time. The novel, 1984 by George Orwell, is a dystopian text about an oppressive government that controls the citizens every movement. George Orwell was inspired to write by the totalitarian regimes of his time such as Hitler and Stalin. He also wrote with his Democratic Socialist views in mind, advocating for those who were of the poorer classes. The 1927, silent film Metropolis, directed by Fritz Lang, has a divided society between the wealthier people in the city and the poorer, working class living underground and working long hours…

    • 1383 Words
    • 6 Pages
    Better Essays
  • Good Essays

    Hindrances In Walden

    • 1052 Words
    • 5 Pages

    Some Hindrances are cellphones and social media in our life as well as these entertainment apps, Hulu, Netflix. We can text message and use Facebook see what going on in friends and family’s member life’s around the globe. We are losing touch with what it means to connect with people in real life most would rather text you then speak on the people even if it is a paragraph long text, or they will see your call or message and ignore it then go sit on social media for an hour and say they are busy. People no longer talk to each other as much small talk is dying from what I’m seeing people would rather sit on their phone then interact with other the old fashion way. I love the coffee bars that say we do not have wi-fi pretend it 1995 and talk to each other instead of sitting on your phone.…

    • 1052 Words
    • 5 Pages
    Good Essays
  • Good Essays

    In the 20th century main social issues and therefore the image of the city have also been changed from combating poverty and racism in 1930s - 1940s through the predominance of wealth and status and the emptiness of suburbia in 1950s - 1970s, culminating with phoniness, artificiality and…

    • 408 Words
    • 2 Pages
    Good Essays
  • Satisfactory Essays

    annotated bib

    • 594 Words
    • 2 Pages

    Carr reminds us about the effects of distraction and the way we interact with the internet and our abilities to think and even feel. Nature is something that can take your mind off things. When people truly get used to having the Internet in their lives, they find new ways of meditating on the things that they learn. Empathy, compassion, and deep thinking require a calm, attentive mind. It can also express your own sentiments on your lifestyle. There are many negatives and positives on our increasing loss of the ability to contemplate.…

    • 594 Words
    • 2 Pages
    Satisfactory Essays
  • Powerful Essays

    Georg Simmel Research Paper

    • 2865 Words
    • 12 Pages

    At the same time Simmel notes that for the individual this creates the "difficulty of asserting his own personality within the dimensions of metropolitan life." (Farganis, p. 142). The growth of the city, the increasing number of people in the city, and the "brevity and scarcity of the inter-human contacts granted to the metropolitan man, as compared to the social intercourse of the small town" (Farganis, p. 143) makes the "objective spirit" dominate over the "subjective spirit." Modern culture in terms of language, production, art, science, etc. is "at an ever increasing distance." This is the result of the growth of the division of labour and the specialization in individual pursuits that is a necessary part of this. Subjective culture is "the capacity of the actor to produce, absorb, and control the elements of objective culture. In an ideal sense, individual culture shapes, and is shaped by, objective culture. The problem is that objective culture comes to have a life of its own." (Ritzer, p.162). "The individual has become a mere cog in an enormous organization of things and powers which tear from his hands all progress, spirituality, and value in order to transform them from their subjective form into the form of objective life." (Farganis, p. 143). This sounds much like Marx's alienation, Durkheim's anomie, or Weber's rationalization, although Simmel associates this with the city, rather than with the society as a whole, as do the other classical…

    • 2865 Words
    • 12 Pages
    Powerful Essays
  • Better Essays

    Diversity In New York

    • 1148 Words
    • 5 Pages

    In the book, Jacobs stresses the goal of economic diversity, the richness of business ideas and opportunities that flourish in a city. “[T]he greatest single fact about cities [is] the immense number of parts that make up a city, and the immense diversity of those parts. Diversity is natural to big cities” (Jacobs, 143). New York City manages to bring together different uses in each area, so that no block is dominated by a single activity, trade, or occupation, but rather contains a diversity of buildings and businesses. A failure to bring together all the different activities that make up a city can undermine any sense of shared interests and common purpose. “The more successfully a city mingles everyday diversity of uses and users in its everyday streets,” Jacobs argues, “the more successfully, casually (and economically) its people thereby enliven and support well-located parks that can thus give back grace and delight to their neighborhoods instead of vacuity” (Jacobs, 111). The City’s success, both economically and culturally, is largely accredited to its diversity, as well as its liveliness and spirit. “Dull, inert cities, it is true, do contain the seeds of their own destruction and little else. But lively, diverse, intense cities contain the seeds of their own regeneration, with energy enough to carry over for problems and needs outside themselves” (Jacobs, 448). However, although New York is extremely diverse, has high densities of population and activities, and has a mixture of primary uses, there is nonetheless an existent demarcation of public and private areas, which, according to Jacobs, further brands it an ideal model of a city. Jacobs writes, “Public and private spaces cannot ooze into each other as they do typically in suburban settings or in projects” (Jacobs, 35). She believes that there must be clear, noticeable separation of…

    • 1148 Words
    • 5 Pages
    Better Essays
  • Better Essays

    References: • McLuhan, M. (1994). Understanding media: The extensions of man. (pp. 721). Cambridge, MA: MIT Press.…

    • 1060 Words
    • 5 Pages
    Better Essays