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Machiavelli Prince. The evolution of modern politics ... of office. Modern politics
has clear roots in Machiavelli’s prince. The Smooth, fast ...
... be able and prepared to do evil when it is asked, and Bush is found to be more than
lacking in this field for him to be considered a true Machiavelli prince. ...
Machiavelli - The Prince. ... Machiavelli wrote The Prince because, despite being a firm
Republican, he was also well-documented as a strong patriot. ...
Machiavelli's The Prince. The Prince Niccolo Machiavelli, Italian statesman and
author and prominent figure of the Renaissance, was born on May 3rd, 1469. ...
Analysis of Cesare Borgia in Machiavelli's The Prince. Using the model
of Cesare Borgia in The Prince, Machiavelli proposes a new ...
Submitted by bentem on June 14, 2005
Category: Social Issues
Words: 601 | Pages: 3
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The evolution of modern politics is strongly influenced by Machiavelli’s tactics in The Prince. The fast nature, smooth talking, and lack of original thought seen in modern politics is evident in Machiavelli’s work. It is a small but powerful thing to gain favor in politics, and Machiavelli accomplishes this well throughout The Prince. In applying his brain to assume a logical means to keep the status quo a political roadmap is created. Giving this work to the reigning Medici family gains their favor thus granting Machiavelli’s release from prison. Machiavelli’s work is a political piece written as a simple means to an end, another chance to live as a free subject. The Prince is fast talking politics describing itself, a small treatise acting as a well written guide.
As a result of playing favor to both sides of a turbulent political conflict Machiavelli, with no specific powers, finds himself in prison at the beginning of the Medici Rule. By his own rules and examples set forth in The Prince he should, at the very least, be imprisoned for the rest of his life if not sentenced to death. While suffering in prison it is Machiavelli’s overwhelming desire to be free. Calmly collecting his thoughts and employing logic he prepares a treatise for the ruling hand and sets himself free in the process.
Using very specific language Machiavelli creates a work which begs to be read. The Prince is fast, easy, and pleasing read in which he presents himself as “humble and Lowly” (2) looking “to win approval” (2). What Machiavelli accomplishes is setting a standard for supplication in a political sense. It is not in the Body of his work, but in the introduction, where he seemingly releases himself from bondage. Throughout the entire passage he exists for the ruler’s betterment, all the while vouching for himself as a loyal subject. The introduction presents the offer of reciprocation, and Medici takes it. Machiavelli has won his second chance at life.
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