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Langston Hughes. I feel comfortable in stating that Langston Hughes was the narrator
of black life in the early to mid nineteen hundreds. ... Langston Hughes. ...
Langston Hughes. James Langston Hughes was born February 1, 1902, in Joplin,
Missouri. His parents divorced when he was very small ...
the hard knock life for langston hughes. Langston ... success. James Mercer Langston
Hughes was born in Joplin, Missouri on February 1, 1902. ...
Langston Hughes. Langston Hughes Langston Hughes was an African-American writer
of the Harlem Renaissance era. Born in Joplin, Missouri ...
Langston Hughes. Langston Hughes James Langston Hughes was born on February 1, 1902,
in Joplin, Missouri. ... Langston Hughes parents then separated. ...
Submitted by incubusbh on March 1, 2006
Category: American History
Words: 883 | Pages: 4
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Born in Joplin, Missouri, James Langston Hughes was a member of an abolitionist family. He was the great-great-grandson of Charles Henry Langston, brother of John Mercer Langston, who was the first Black American to be elected to public office, in 1855. Hughes attended Central High School in Cleveland, Ohio, but began writing poetry in the eighth grade, and was selected as Class Poet. His father didn't think he would be able to make a living at writing, and encouraged him to pursue a more practical career. He paid his son's tuition to Columbia University on the grounds he study engineering. After a short time, Langston dropped out of the program with a B+ average; all the while he continued writing poetry. His first published poem was also one of his most famous, "The Negro Speaks of Rivers", and it appeared in Brownie's Book. Later, his poems, short plays, essays and short stories appeared in the NAACP publication Crisis Magazine and in Opportunity Magazine and other publications.
One of Hughes' finest essays appeared in the Nation in 1926, entitled "The Negro Artist and the Racial Mountain". It spoke of Black writers and poets, "who would surrender racial pride in the name of a false integration," where a talented Black writer would prefer to be considered a poet, not a Black poet, which to Hughes meant he subconsciously wanted to write like a white poet. Hughes argued, "no great poet has ever been afraid of being himself." He wrote in this essay, "We younger Negro artists now intend to express our individual dark-skinned selves without fear or shame. If white people are pleased we are glad. If they aren't, it doesn't matter. We know we are beautiful. And ugly too... If colored people are pleased we are glad. If they are not, their displeasure doesn't matter either. We build our temples for tomorrow, as strong as we know how and we stand on the top of the mountain, free within ourselves."
In 1923, Hughes traveled abroad on a...
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