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Langston Hughes. I feel comfortable in stating that Langston Hughes was the narrator
of black life in the early to mid nineteen hundreds. ... Langston Hughes. ...
Langston Hughes. James Langston Hughes was born February 1, 1902, in Joplin,
Missouri. His parents divorced when he was very small ...
the hard knock life for langston hughes. Langston ... success. James Mercer Langston
Hughes was born in Joplin, Missouri on February 1, 1902. ...
Langston Hughes. Langston Hughes Langston Hughes was an African-American writer
of the Harlem Renaissance era. Born in Joplin, Missouri ...
Langston Hughes. Langston Hughes James Langston Hughes was born on February 1, 1902,
in Joplin, Missouri. ... Langston Hughes parents then separated. ...
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Langston Hughes was born in Joplin, Missouri, in 1902. His parents were divorced when he was a small child and his father moved to Mexico. He was raised by his grandmother until he was twelve, when he moved to Lincoln, Illinois, to live with his mother and her husband. It was during his high school years that Hughes began writing poetry. Following graduation, he spent a year in Mexico and a year at Columbia University and travelled to Africa and Europe. He moved to Harlem, New York, in November 1924. Hughes first book of poetry, The Weary Blues, was published by Alfred A. Knopf in 1926. He finished his college education at Lincoln University in Pennsylvania three years later. Hughes, who claimed Paul Lawrence Dunbar, Carl Sandburg, and Walt Whitman as his primary influences, is particularly known for his insightful, colorful portrayals of black life in America from the twenties through the sixties. He wrote novels, short stories and plays, as well as poetry, and is also known for his engagement with the world of jazz and the influence it had on his writing, as in "Montage of a Dream Deferred." His life and work were enormously important in shaping the artistic contributions of the Harlem Renaissance of the 1920s. Langston Hughes, for most of his adult life the unofficial Poet Laureate of the race, accepted as his vocation "to explain and illuminate the Negro condition in America." His personal credo, "The Negro Artist and the Racial Mountain," became the credo of a generation of Aframerican poets. Hughes' poetry drew from traditional sources and individual voices; his experiments in form reflect an attempt to capture the myriad colors known collectively as "black." His opus speaks not for Hughes the man, but for the race as a whole.Unlike other notable black poets of the period--Claude McKay, Jean Toomer, and Countee Cullen--Hughes refused to differentiate between his personal experience and the common experience of black America. He wanted to tell the stories of...
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