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Submitted by torontophil on November 2, 2006
Category: Music and Movies
Words: 1354 | Pages: 6
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Kurt Cobain: The Voice of a Generation
Kurt Cobain: The Life and the Legacy
Fans still regularly leave flowers on a graffiti-laden bench in Seattle's Viretta Park, the only public (albeit unofficial) memorial to Kurt Cobain. It was on a rainy Friday morning in early April 1994 when hundreds of fans had originally gathered at this park, next door to the house where Cobain took his own life, leaving behind a wife, a child, a band, and a musical legacy.
They're remembering a young man whom nobody apparently expected would go far in life. He was reared in the small, economically-depressed timber town of Aberdeen, with several forebearers who'd committed suicide. He was both intelligent and disinterested in sports, in a jock-culture environment that scorned boys of that sort.
From Aberdeen to Major Label
The teenaged Cobain became part of what little indie-rock scene there was in Aberdeen, which centered around a band called the Melvins. That clique also included Chris Novoselic, who moved with Cobain to Olympia once they turned 18.
They played with assorted drummers and band names, finally settling on Nirvana by the time they appeared at the old Vogue nightclub in Seattle on a Sunday-night gig in early 1988. By that time, they'd released a single on Sub Pop and were about to record their debut album Bleach.
Through 1989-1990, Nirvana's performances became sharper and Cobain's songwriting became more layered and elaborate. But the strain of maintaining an indie-label act, with precarious finances and limited record-label support, began to take its toll (a European package tour with Mudhoney and Tad proved particularly grating for Cobain). Instead of recording a second Sub Pop album, Nirvana hooked up with a manager who got the band signed to a major label.
Loud, Angry, Punk ... and Melodic
The bucks showed in the much slicker pop-rock production of the band's next album, Nevermind (and also...
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