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Kayapo. ... This ethnographic film begins with a sequence of black and white photos
of Kayapo Indians holding modern electronics, such as a TV. ...
... The Kayapo, a people of the Amazon, are dependent upon plants in the Amazon. A
research team came into the area that the Kayapo people inhabit. ...
... The Kayapo Indian villagers have been a very effective marketing tool for The Body
Shop in recent years but they now run the risk of being discarded when their ...
... The Kayapo Indian villagers have been a very effective marketing tool for The Body
Shop in recent years but they now run the risk of being discarded when their ...
... The Body Shop purchases such products as blue corn from the Pueblo Indians
in New Mexico and nut oil from the Kayapo Indians in Brazil. ...
Submitted by camble on May 10, 2008
Category: Social Issues
Words: 2656 | Pages: 11
Views: 134
Popularity Rank: 81,697
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The Reappearing World
Throughout history, many native tribes have been subjected to the effects of colonialism. They are often stripped of their land and resources, and are forced to adapt to a new way of life. Their cultural values and even political presence weaken as they become a mere product of acculturation. There is no doubt that the clash of two unique societies with mismatched power usually has violent and unfair outcomes. However, there have been a few cases where the effects of colonialism did not completely penetrate the ideology and lifestyle of a culture. Living proof of this is the aboriginal Kayapo Tribe of the Brazilian rainforest who stood up against pressures from the outside world in order to preserve their way of live. Even though the Kayapo are outnumbered and are disadvantaged technologically, they have still been able to coexist with Brazilian society and maintain their cultural integrity.
The film The Kayapo’s: Indians from the Brazilian Rainforest, directed by anthropologist Terry Turner, depicts the social and economic struggle between the traditional Kayapo tribes and the modern post-colonialist Brazilian society during the 1960’s. It also shows how to two distinct groups of Kayapo Indians responded to the situation differently. This ethnographic film begins with a sequence of black and white photos of Kayapo Indians holding modern electronics, such as a TV. What stands out is that the images on the electronics are in color. This contrast is symbolic of the clash between traditional Kayapo with the new modern Kayapo.
The second scene in the film shows a traditionally dressed Kayapo Indian covered in feathers going into a bank. He speaks in Portuguese to a bank teller about the Kayapo account, which just received around 2 million dollars that year from gold miners. This Indian belongs to one of two distinct Kayapo groups called the Gorotire. The Gorotire, in return for some of the revenue, allow...
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