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John Donne Holy Sonnets. John Donne ... situations. In John Donne’s Holy Sonnets,
he writes about death in Meditations X and XVII. Both ...
... The Holy Sonnets By making many references to the Bible, John Donne’s Holy
Sonnets reveal his want to be accepted and forgiven by God. ...
... a collection of seventeen sonnets, referred to as Holy Sonnets. ... life occurrences
to develop many known sonnets such as ... following the death of John Donne’s wife ...
... At this point Anne’s father finally reconciled with John and Anne and paid ... Stricken
with grief, Donne was prompted to write the Holy Sonnets that conveyed ...
... Classical Paradise Lost, while Donne’s novelty defines his originality, most apparent
in his concise and practical Holy Sonnets. John Donne’s originality ...
Submitted by yoshikilla on May 24, 2005
Category: English
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John Donne
Death is a very complicated subject that people view very differently in different situations. In John Donne’s Holy Sonnets, he writes about death in Meditations X and XVII. Both meditations use many similar rhetorical devices and appeals, but the tones of the meditations are very disparate. Donne’s different messages in Meditations X and XVII convey tones of defiance and acquiescence towards death, respectively. His apparent change of attitude towards death could be accounted for by his differing life situations while he was writing the meditations: mid-life, and near-death.
“Meditation X”, which Donne wrote in mid-life, has a very defiant and powerful tone. Donne begins the meditation by defying normal views of death, and saying how “death, be not proud” (Donne). In deprecating death, Donne shows how he does not fear something which mortals usually fear. His reckless mockery of death is his appeal to pathos, specifically the human emotion of happiness and determination to live; “Meditation X” is a battle against an inevitable, insidious, and metaphysical force. In “Meditation XVII”, Donne begins instead by deprecating himself, conceding that he “may think [himself] so much better than [he is]” (Donne). This concession conveys a much more acquiescent and passive tone, appealing instead to the human emotions of melancholy and yearning to understand and accept death. Logos is also manipulated by Donne in different ways so that different tones are created. In “Meditation X”, Donne uses logos to show how death is not special or unique, which creates the defiant tone. In “Meditation XVII” Donne uses logos to show how death is an omnipresent, omnipotent entity. His repetition and emphasis of “bells,” which symbolize death, are reminders of how death is everywhere: bells are everywhere, therefore death is everywhere.
The rhetorical devices in each of Donne’s meditations do not differ much, but they create very...
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