OPPapers.com Essay Index >> History Other >> Japanese Ink Paintings
We have many free term papers and essays on Japanese Ink Paintings. We also have a wide variety of research papers and book reports available to you for free. You can browse our collection of term papers or use our search engine.
japanese ink paintings. Japanese Ink Paintings ... 18). These aspects of the art
form truly distinguish Japanese ink paintings. These material ...
... The Japanese styles of architecture were inspired by the consistency and simplicity
of ... was known as the most famous artist in his medium of Ink Paintings. ...
... ga, or water and black ink painting, which ... Buddhist influence on Japanese art grew
weaker during ... the production of important religious paintings." (Hartman 1971 ...
... Mototada's actions changed the course of Japanese history ... became one of Japan's most
respected ink wash painters ... His fine paintings are coveted items in museums ...
... two-dimensional (flat, such as drawings, paintings, or cut ... been a common practice
in the Japanese animation industry. ... women could work only in the ink and paint ...
Submitted by chippychee on October 28, 2005
Category: History Other
Words: 1559 | Pages: 7
Views: 234
Popularity Rank: 51,296
Average Member Grade: N/A (Add a Comment / Grade this Paper)
Japanese Ink Paintings: Descriptions, Distinctions and Culture
Introduction
All cultures throughout time and history have the important role of art playing out the identity of the culture and the experience of that moment in time. Impressionism, surrealism and realism, among numerous other types of art forms have all played a role in history along with its significant artists behind the art. Looking at Japan, who was greatly influenced by art from China and its significant ink paintings of its past, a whole culture and society, is unraveled through it.
Materials and Distinction
Japanese arts have the distinction of being distinct because it uses absolutely identical materials, implements, and media for both drawing and painting (Bowie, 9). Therefore, it is arguable whether Japanese drawings and paintings are either the same thing or, that there is no such thing as a Japanese drawing (Bowie, 9). Either way, these drawings/paintings represent a distinct art form and era in Japanese history as well as art history. The art of these ink drawings involve the use of sumi, which is a charcoal precipitate that is mixed with water and can create visual and textual effects to an unlimited range (Bowie, 10). These ink paintings can also be referred to as sumi-e. The kind of brush that was used was also a wide variety of brushes from large, small, flat or round (Bowie 10). Sumi-e's encompassed a wide variety of materials in which it was presented on. They were seen on whole walls of a reception hall or temple, on sliding door panels known as the fusuma, as well as the hanging scroll that was known as kakemono (Yasuhiro 17). Along with those items, less elaborate items were used such as the hand scroll, makimono, fans, senmenga, and albums, gacho (Yasuhiro, 17). Along with these material items that were used in this art form were also the non-material aspects of the art; the artists' intent and planning of each painting. Subjects were...
You must Login to view the entire paper.
If you are not a member yet, Sign Up for free!