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Jane Austen critical analysis. READER RESPONSE TO AUSTEN'S NOVELS Jane Austen
is generally acknowledged to be one of the great English ...
... lack of guile and trickery, perceptive analysis of others ... In Pride and Prejudice,
Jane Austen uses letters to ... letter accomplished, they are all critical to the ...
... Prince The differences between Emma by Jane Austen, a classical ... and often have an
exhaustive analysis of human ... Emma’s matchmaking efforts with a critical eye ...
... Character Analysis Emma Woodhouse: Emma is the main ... Summary of two Critical Reviews
Emma: by Arnold Kettle ... readers view of Emma than Jane Austen’s techniques ...
... Shelley’s book was the “analysis of the ... Doubleday, 1976, Ellen Moer’s critical piece
is ... many different women authors including Jane Austen, Virginia Wolfe ...
Submitted by ruthexists on October 19, 2005
Category: English
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READER RESPONSE TO AUSTEN'S NOVELS
Jane Austen is generally acknowledged to be one of the great English novelists, so it is no surprise that her novels have remained continuously in print from her day to the present. Contemporary reviewers found much to praise in them. Reviewing Emma for the Quarterly Review (1816), Sir Walter Scott characterized its strengths and weaknesses:
The author's knowledge of the world, and the peculiar tact with which she presents characters that the reader cannot fail to recognize, reminds us something of the merits of the Flemish school of painting. The subjects are not often elegant, and certainly never grand; but they are finished to nature, and with a precision which delights the reader....
Her merits consist much in the force of a narrative conducted with much neatness and point, and a quiet yet comic dialogue, in which the characters of the speakers evolve themselves with dramatic effect. The faults arise from the minute detail which the author's plan comprephends. Characters of folly or simplicity, such as those of old Woodhouse and Miss Bates, are ridiculous when first presented, but if too often brought forward or too long dwelt upon, their prosing is apt to become as tiresome in fiction as in real society.
George Henry Lewes, writing in 1852, accorded her the status and identified issues that critics would be repeating and arguing about for the next century and a half:
First and foremost let Austen be named, the greatest artist that has ever written, using the term to signify the most perfect mastery over the means to her end. There are heights and depths in human nature Miss Austen has never scaled nor fathomed, there are worlds of passionate existence into which she has never set foot; but although this is obvious to every reader, it is equally obvious that she has risked no failures by attempting to delineate that which she has not seen. Her circle may be...
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