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The Italian - gothic conventions. Gothic literature ... personality. In this excerpt
of The Italian, there are typical Gothic conventions of its age. From ...
... taught himself Latin, Greek, Hebrew, French, and Italian. ... and linear design
characteristic of Gothic style. ... he rebelled against the academic conventions of Sir ...
... Literary and social conventions, far from being helpful, were ... 6. Italian background -
especially in The Marble Faun. ... his use of the exotic, the gothic, and the ...
... by the work's audience, and conventions vary in ... in the north (culminating in the
Gothic International Style at ... most clearly traces changes in Italian art, just ...
... By manipulating his audience through the conventions of romance-writing ... Both Gothic
and Romanesque churches have the long ... deities Amon and L'Isa (Italian for Isis ...
Submitted by oppapers on July 9, 2004
Category: English
Words: 1430 | Pages: 6
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Gothic literature changes from age to age to reflect the current socio-cultural situation of the time. Stories such as The Italian, The Monk, Vathek and writers such as Poe, Carter, Radcliffe and Shelleyt have presented facets of the Gothic. The Gothic is the representation of the darker side of awareness, a realm of neurosis and morbidity whereby it is a fantasy world that reveals secrets of the human personality.
In this excerpt of The Italian, there are typical Gothic conventions of its age. From the setting, there is the idea of the Sublime in which it is a reflection of a situation of vastness in an imaginative, fantastical visual experience. The "grandeur" and the "proportions" in the "memorial" invoked Ellena's awe and excess of emotions due to its majestic, grand and infinite characteristics that seems to overpower and pervade the environment for "everywhere prevailed". From the imagery of infinite "proportions" and "mass", man is seen as insignificant. The idea of the Sublime is further exemplified in Vathek, of the "immeasurable plain" that reveled in its "infinity" in which it had "overpowered" man until "he fell prostrate on his face". The limitations of man are magnified in contrast to the environment thus challenging the senses and emphasizing the insignificance of humanity. Ellena's awe and appreciation of nature overwhelms her thus it rendered the preconceived notion that humanity is in control of the world and destiny as obsolete. Thus man is left hopeless and impotent. This idea of the irrelevance of man in comparison to nature is typically Gothic for it undermines man's state universally.
A recurrent characteristic is the internalization of decay and destruction. The setting itself reflected the "interior" of the villa in which it was projected as the "chamber of ruins". The colour of the villa reflects the hollowness and the obscurity of the character. It foretells the idea that we cannot escape corruption for it...
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