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Impressionism

Submitted by storm943 on May 17, 2005

Category: American History
Words: 1450 | Pages: 6
Views: 237
Popularity Rank: 49,950
Average Member Grade: N/A (Add a Comment / Grade this Paper)

For the Love of Impressionism

Impressionism is arguably the most beloved and famous of all the artistic styles to date, which is celebrated for its bright colour and new, imaginative view of the world and society. However, originally in Paris in the 1870s, this kind of art was viewed as controversial and undisciplined, it was considered to threaten the values that fine art was meant to uphold. Then in 1874, a group of artists got together to make their own exhibition, mostly of quite small, informal pieces of art that would not have attracted any notice in the Salon (the big annual art exhibition in Paris). They did eight shows altogether, the last one being in 1886. In the first show, the critics picked up on the title of one of Claude Monet's Paintings, Impression Sunrise, and decided to call the whole group 'Impressionists'. The name stuck, and what was supposed to be just a nickname, ended up being the accepted name of the group.
Impressionist artists tried to convey the look and feeling they perceived by the immediate world that surrounded them. Particularly for Monet, this meant painting out of doors, trying to capture the effects of weather, nature and light on the spot, which would be very difficult for a "normal" artist. A very rapid sketch, like Impression
De Santis 2
Sunrise, looks as if it was entirely painted on the spot, but often he must have needed to finish his more elaborated pictures away from the scene, after the lighting effects had changed.
To contrast Monet, Edgar Degas although having this look that gave the feeling the figures were just glanced at. painted his works entirely within his studio, but he arranged his objects and figures to portray this just glanced at look. He often showed figures in such informal poses as stretching or scratching themselves, and frequently used the borders of the pictures to cut off parts of figures, in order to give a sense of immediacy to them.
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