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Hip Hop and Race Relations in America KRS One once said, "Rap is something you do, Hip-Hop is something you live." The difference between how Hip-Hop is portrayed
as the music is called in essence focuses on the depression and good feelings and times of urban America. It also engages racism, sexism, violence, materialism, and
a new paradigm of what can be (Lewis, 1998.) The potential of this art form to mend ethnic relations is substantial. Hip hop has challenged the system in ways that
I have chosen to look at one of Tupac's song that I think is the most concentrated on Black and White race relations in America. This song is called Changes, this
1. George, (1998). Hip Hop America. New York: Viking. 2. Keith L. (1998, Dec 30.). "Hip-Hop Magazine Gets Fiery Start, Good and Bad," USA Today. 3. Fernando, S.H.,
Submitted by grt61787 on March 7, 2006
Category: Social Issues
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KRS One once said, "Rap is something you do, Hip-Hop is something you live." The difference between how Hip-Hop is portrayed (rap) and what the Hip-Hop movement is, is that Hip-Hop is a lifestyle but the Hip-Hop we see on television is a media creation. We have to look at hip-hop as a whole culture and rap as something that comes out of it. Although Hip-Hop was originated by a mostly Negro constituency, it has evolved since its creation into a "worldwide forum through which family, community, social and political grievances" (HHC) can be voiced through various art forms. Today, the Hip-Hop movement (if looked at as it's meant to be looked at) plays a very positive role throughout the political and social spectrums in America, and is helping to push America in the right direction.
Hip-Hop has created a lot of social and cultural bridges that otherwise wouldn't exist today. For example, the Hasidic Jew reggae artist Matisyahu is one of the most popular artists today. But would he ever have even thought to have become a Hip-Hop artist if Hip-Hop wasn't such an accessible and open movement? "Hip-Hop is creating very interesting bridges across racial and ethnic communities," says S. Craig Watkins - a sociology professor at the University of Texas at Austin. Kay Kendall, also from the UT at Austin, says the "youth of different races and ethnicities are using the common ground of Hip-Hop to interact in a more seamless fashion than their grandparents ever would have envisioned. Mass media and clever marketing have made it a small world after all." And even Russell Simmons, "the godfather of Hip-Hop", says, "According to the statistics [of a recent survey], it seems that youth are much more likely to accept and embrace the differences between people in terms of culture, color, religion, and ethnicity than older Americans." Referring to the same statistics Dr. Benjamin Chavis said, "These polls indicate that the Hip Hop generation (people ages 18-35) are willing to...
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