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Hamlet

Submitted by alamyn on December 4, 2005

Category: English
Words: 2983 | Pages: 12
Views: 227
Popularity Rank: 45,306
Average Member Grade: N/A (Add a Comment / Grade this Paper)

It seems that the underlying concept of almost all Hamlet criticism is that Hamlet suffers from a tragic flaw in his character--something akin to Oedipus' quick temper, Othello's jealousy, or Lear's senile vanity, which causes him to make the classic "mistake in judgment" that will lead to his downfall. It is true that one is able to detect such a flaw in the characters of many of Shakespeare's tragic heroes, but the fact that an idea is generally applicable should not lead us into the mistake of trying to apply it universally in cases where it manifestly does not fit. Hamlet appears to be one of these cases.
A consistent interpretation of Hamlet's actions can be made by examining the play in the light of the modern Theatre of the Absurd. The psychiatrists point out that the word "schizophrenia" is commonly misunderstood--to most people it has connotations of "split personality", while in actual fact the popular term "split personality" refers to a form of amnesia. Schizophrenia occurs when the individual finds himself incapable of communicating with the rest of society. It refers to the breakdown, for psychological reasons, of communications between the individual and the group. The Theatre of the Absurd is a reflection of social schizophrenia on a large scale. The Absurd, in the words of Eugène Ionesco, is the situation in which man finds himself "devoid of purpose ... Cut off from his religious, metaphysical and transcendental roots, man is lost; all his actions become senseless, absurd, useless".1 Although a literary movement specifically dedicated to the treatment of this aspect of the human condition has only appeared in the twentieth century, there is no reason to suppose that the condition is peculiar to this century. Shakespeare was just as likely to observe the phenomenon in the sixteenth century, and to deal with it in the character of Hamlet, as Samuel Beckett was to observe it and deal with it in the characters of Didi and Gogo, in the...

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