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Submitted by zpctigers21 on April 18, 2008
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Hamlet as a Tragic Hero
The idea of a tragic hero was first spoken of by Aristotle in his concepts of tragedies. The concept of a tragic hero having a fatal flaw was developed by Aristotle. Aristotle thought that every tragic hero had some kind of a fatal weakness that brought about a bad or fatal ending to the tragic hero. The idea of the tragic flaw is that the tragic hero has a downfall that comes from his own very nature (Aristotle 1362). With the guidelines set by Aristotle, one can determine whether a character is a tragic hero or not. In William Shakespeare’s Hamlet, Prince of Denmark, Shakespeare uses the main character Hamlet as a tragic hero. Shakespeare takes Aristotle’s idea of having a major downfall, when Shakespeare creates the character of Hamlet.
In Shakespeare’s tragic play, “Hamlet,” there is the central idea that Hamlet is unable to avenge his father’s
death. Maurice Baundin adds that “… it has been assumed that the Ghost’s message and Hamlet’s sole object is to kill Claudius (Baundin 185). Hamlet, Prince of Denmark could be considered a play about an indecisive man who has trouble taking action. What could be said to be Hamlet’s tragic downfall is his indecisiveness which ultimately leads to his death. There are many aspects that could have caused Hamlet’s indecisive or delayed actions. These aspects include Hamlet putting too much thought and analysis into his plans, his melancholy, his Oedipus complex, his doubt about the honesty of the ghost, and Hamlet’s doubts about his own ambitious motives.
The first reason that Hamlet might have had indecisive or delayed reasons about gaining revenge on his father’s death was that he put too much thought and analysis into his ideas. In Act II Scene 2, Hamlet, Rosencratz, and Guildstern are all carrying on a conversation. During the conversation, Hamlet talks about how he feels that “there is nothing either good or bad...
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