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Gatsby's sacrifices. Gatsby's Sacrifice Spring 1996 The truth was that Jay Gatsby
of West Egg, Long Island, sprang from his platonic conception of himself. ...
... That she is incapable of leaving her brutal husband, Tom, of commiting
herself to Gatsby despite his sacrifices, escapes him. As ...
... scene, Fitzgerald wholly sacrifices realism in favor of drama and symbol: the green
light stands for the as-yet-nameless object for which Gatsby is hopelessly ...
... His sacrifices and apparent potential clarifies his heroic nature throughout the
novel. Jay Gatsby can be ascertained as the tragic hero of The Great Gatsby ...
... scene, Fitzgerald wholly sacrifices realism in favor of drama and symbol: the green
light symbolizes the as-yet-nameless object for which Gatsby is hopelessly ...
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Gatsby's Sacrifice
Spring 1996
The truth was that Jay Gatsby of West Egg, Long Island, sprang from his platonic conception of himself. He was a son of God-- a phrase which, if it means anything, means just that-- and he must be about His Father's business, the service of a vast, vulgar, and meretricious beauty. So he invented just the sort of Jay Gatsby that a seventeen-year-old boy would be likely to invent, and to this conception he was faithful to the end (99).
James Gatz was already "about his Father's business" when he carefully sketched out a schedule for self improvement on the back of his "Hopalong Cassidy" book. He had already realized what his dream was and had created his own personal religion, which was one of romantic ideals: wealth, youth, and beauty. Gatsby, "a son of God," strived to obtain the "vast, vulgar, and meretricious beauty," and to incarnate these ideals with reality. Like Jesus Christ came here as an incarnation of man and the divine, "the perfect word entering the imperfect world-- and yet remaining perfect"
(Christensen, 154-155), Gatsby is referred to as "a son of God" because through his invention of Jay Gatsby, James Gatz tried to incarnate his ideal dream with reality. Daisy becomes the embodiment of that dream because she is the personification of his romantic ideals. For him she represents his youth and is the epitomy of beauty. Gatsby, "with the religious conviction peculiar to saints, pursues an ideal, a mystical union, not with God, but with the life embodied in Daisy Fay" (Allen, 104). He becomes disillusioned into thinking the ideal is actually obtainable, and the realization that he will never be able to obtain his dream is what destroys him in the end. Gatsby realizes that Daisy isn't all he thought she was, and with this his dream collapses. The symbolic implications of this can be realized when studying Fitzgerald's religious beliefs and other religious imagery in the novel. Through...
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