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Filmmaking

The Film about Filmmaking

Truffaut's irresistibly charming "film about filmmaking" is an enormously affectionate homage to cinema, as well as a portrayal of the joy and anguish of filmmaking. The framing film Day for Night tells the story of a director; Ferrand (Truffaut) and his crew shooting a romantic family melodrama entitled Meet Pamela at the Studio Victorine in Nice. As the shooting proceeds, the personal crises of the crewmembers engulf the professional sphere of their lives, and threaten the smooth progress of the filming: one of the leading actresses, Séverine (Valentina Cortese), is anguished by her son's terminal illness and unable to remember her lines because of her alcoholism; Stacey (Alexandra Stewart) is three-months pregnant and refuses to shoot a swimming scene in a bathing suit; Alphonse (Jean-Pierre Léaud) seeks feminine/maternal affection and lingers over the same question: "Are women magic?" Ferrand realizes that films are more harmonious than life: there are "no traffic jams or no dead waits," and people like them are happy only in their work of making films. Despite a series of difficulties and the accidental death of Alexandre (played by Jean-Pierre Aumont) in a car crash, the crew manages to complete the filming and then disperse to future destinations.
From the outset Day for Night is full of Truffaut's nostalgia for cinema of the past. A title sequence accompanied by orchestral music gradually turns into a melancholic accordion tune; a still of Dorothy and Lillian Gish with subtitle announces that the film is dedicated to these legendary stars of the silent screen. The spectator is then led to a square seemingly in Paris, a rather chic landscape dotted with a metro station, a fashionable café, stoned buildings, the sound of busy traffic and pedestrians. A young man (Jean-Pierre Léaud) with a solemn expression on his face appears from the metro station and walks towards an elderly man. After a while the young male slaps the latter...