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Submitted by nic_pace on October 30, 2005
Category: Music and Movies
Words: 1916 | Pages: 8
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Spike Lee's 1989 film Do the Right Thing is able to effectively explore the problem of racial conflict in America by skilfully manipulating cinematic devices such as staging, narrative, cinematography, editing and sound. The concentration and emphasis on characters' certain physical attributes with the use of photography and camera framing, the fast pace editing style and manipulation of sound all contribute to film's overall meaning. In analysing the short sequence beginning with a small girl drawing a chalk painting on the road and ending with Sal, the local pizzeria owner, making Radio Raheem, "a hulking misunderstood home-boy" , two slices of pizza, these devices are seen to illustrate the hostility between Black and Italian working class Americans.
The narrative style in this double scene sequence encapsulates the major oppositions at work in the film, that is racial acceptance and alienation. This can be seen in the juxtaposition of two scenes that show Radio Raheem's acceptance of his Black friend Mookie and his rejection and disdain of the White Italian pizzeria owners. The story is told within the course of one day and scenes follow each other sequentially. This particular sequence begins with Mookie treading over the young girl's drawing of a harmonious scene with the sun shining and people smiling, implying to the viewer that such harmony does not exist. The scene then goes on to present Radio Raheem's new ring pieces, entitled "Love" and "Hate". Radio Raheem explains to Mookie how life is a constant battle between these conflicting emotions and that these emotions are determined and unchanging. This scene sees Radio Raheem, in the Black part of town, express his love for Mookie, saying, "I love you, man." This is contrasted with the following scene as Radio Raheem is in Sal's pizzeria, where he expresses only hostility and hate for the Italians. Here, Radio Raheem seems to summarise the major theme of the film, namely acceptance for...
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