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Fathers of Theater. Fathers of Theater ... around the world. For thousands of years
to come the Greek dramatists would be the fathers of theater.
... As the disapproval of the Globe and its counterparts by London's town fathers suggests,
the Elizabethan theater and the acting companies that animated it were ...
... the theater, but went as far as to summon those who work at the theater to prevent
Paul from entering, knowing Paul would directly disobey his fathers wish. ...
... the theater, but went as far as to summon those who work at the theater to prevent
Paul from entering, knowing Paul would directly disobey his fathers wish. ...
... all mothers and fathers, Mommy and Daddy are so far form the normal parent, they
are not even real, much less symbols of all parents. Structure in Theater of ...
Submitted by BobJones25 on October 3, 2007
Category: History Other
Words: 979 | Pages: 4
Views: 125
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Fathers of Theater
In Greece around the sixth and fifth century there was a blossoming of beautiful living and artistic views, such as mankind had never known before. The Greeks not only accomplished expanding their civilization in feats of physical perfection, but more especially in the fields of artistic and intellectual accomplishment. They made their buildings lovely; they learned to embellish beautifully rather than lavishly regarding the mind, and the aesthetic senses. Out of this magnificent way of thinking the Greeks not only performed theater, but perfected it.
To understand Greek theater you first have to understand where it came from. Dionysus was the Greek god of nature, wild things, including the human wild impulses. Most of all Dionysus was the god of joy-giving vine, and of mystical inspiration. He brought to his celebrants a spiritual intoxication. He exacted neither adoration nor warship from the Greek people; rather he accorded them to share in his ecstasy. Drama grew directly out of the Dionysian celebrations. There would be rites, dances, and the songs that were sung all in the name of Dionysian. The Greeks with cymbals, torches, and masks honored Dionysus. They started consecrating places fore these festivities called “theaters”. Some of the celebrants became priests, and these were latter called “actors”. Others, who had led in the singing, who could even invent new songs, became poets or dramatists. Then there was the audience, those who asked no more then participation in the emotional experience of the Dionysian celebration.
As time went on, the festivals of Dionysus grew in popularly. Eventually groups of players went out to provincial celebrations to present more dramas. These “artists of Dionysus” may be considered the first players’ guild, or “actors” union. Athens had claimed a group if dramatists who stand in the small company of stage immortals. Men known as Sophocles, Euripides, and Aeschylus...
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