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Different Responses To War Of Four Ww1 Poets.

Submitted by warpoet on April 16, 2006

Category: English
Words: 2471 | Pages: 10
Views: 364
Popularity Rank: 28,978
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At the outbreak of the First World War, the English nation as a whole was in high spirits: the men rushed to sign up and fight for 'Old England'; their wives and girlfriends cheered them on—the nation marched into the war with enthusiastic patriotism. The Georgian poets, who had been producing a large quantity of poetry that would now be considered worthless, eyed a chance to increase their popularity (and sales), catch the spirit of the nation and evoke patriotism (which could sometimes border on nationalism). They felt that you should be willing to die for your country: they wrote poetry that actually glorified the idea of war. It was exactly what the majority of the public in Britain wanted to read, and volumes of patriotic poetry were sold by the thousands. For the government, of course, this kind of poetry was beneficial; it served its purpose as propaganda material. After two years of this patriotic propaganda, however—two years of endless battles, of hardship and hunger, cold and brutality—the attitudes of some poets (those who actually had to look war in the face) suffered a major change. David Perkins says of these poets that they wrote "under the shock and moral outrage of immediate experience as soldiers, and their purpose was to show the blundering slaughter for what it was and to stop it" (142). It may be interesting to compare the different attitudes presented in the works of the three most famous protesting War Poets—Wilfred Owen, Siegfried Sassoon and Isaac Rosenberg—as well as to contrast their poetry with the work of one of the most popular Georgian poets, Rupert Brooke.
In 1914, at the beginning of the Great War, Rupert Brooke was already a well-established poet, whose poetry the English people knew and loved, while Sassoon, Owen and Rosenberg had not acquired
any fame yet. In December of that year he published five sonnets, which constituted his first response to the war. The national mood of that hour was...

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