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  1. The Crysanthemums

    The Crysanthemums. El Paso Community College Search for Author: Mark
    this document _____ Document 2 of 3 _____ A Kind of Play ...

  2. Entrapment And Confinement

    ... Both the tangible and intangible are seen in Charlotte Perkins Gilman’s “The
    Yellow Wallpaper” and John Steinbeck’s “The Crysanthemums”. ...

  3. The Yellow Wallpaper And The Chrysanthemums - Symbols Of ...

    ... She sees hope, a way to expand, through her joy, her love, her talent crysanthemums. ...
    The tinker is to transport some crysanthemums to a woman in town. ...

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The Crysanthemums

Submitted by huwie_08 on November 6, 2005

Category: English
Words: 4329 | Pages: 18
Views: 222
Popularity Rank: 45,436
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El Paso Community College





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A Kind of Play: Dramatic Elements in Steinbeck's "The Chrysanthemums"

Critic: John Ditsky
Source: Wascana Review, Vol. 21, No. 1, Spring, 1986, pp. 62–72
Criticism about: John (ernst) Steinbeck (1902-1968), also known as: John Ernst Steinbeck, Jr., John (Ernst) Steinbeck, John Ernst Steinbeck, Amnesia Glasscock

Genre(s): Short stories; Novellas; Novels; Plays; Poetry; Social novels; Letters (Correspondence); Novels of the soil; Proletarian novels; Essays; Film scripts




The longstanding critical assumption, routinely delivered and seldom questioned, that John Steinbeck represented an odd late flourishing of literary naturalism--rather than, as now seems increasingly clear, an innovative sort of romanticism--has had the predictable effect of retarding appreciation of his accomplishments. Among the latter are the ways in which Steinbeck's language emerges from his contexts: arises organically but not necessarily with "real-life" verisimilitude from situations which must therefore be seen as having demanded, and in a sense therefore also created, a discourse of a sometimes patent artificiality--of a rhetorical loftiness appropriate to the dramatic seriousness of the given subject matter, but unlikely as an instance of "observed" intercourse in English, American variety. For only from such a vantage point can we hope to make sense of many of the exchanges which animate such diverse works as Cup of Gold, To a God Unknown, The Moons Is Down, and Burning Bright. Yet the sorts of usage I am referring to must necessarily give pause to the reader of...

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