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    A Comparative Study of the Development of Ragtime and Dixieland Between
    1850 and 1920s. Blues, work songs, ragtime, spirituals, and ...

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A Comparative Study Of The Development Of Ragtime And Dixieland Between 1850 And 1920s

Submitted by kasualty02 on March 15, 2006

Category: Music and Movies
Words: 2470 | Pages: 10
Views: 671
Popularity Rank: 8,726
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Blues, work songs, ragtime, spirituals, and minstrel songs were, in their own ways, all part of the great "Africanization of American music" that was originated by enslaved Africans in the southern United States. But the greatest of the musical forms developed in this process was jazz--one of the major American contributions to world culture. Each of these forms of music made essential contributions to the development of jazz itself but each, more or less, retained its own integrity and none could be said to have been transformed into jazz. What differentiated Jazz from these earlier styles was the widespread use of improvisation, often by more than one player at a time. Jazz represented a break from Western musical traditions, where the composer wrote a piece of music on paper and the musicians then tried their best to play exactly what was in the score. In a Jazz piece, the song is often just a starting point or frame of reference for the musicians to improvise around. The song might have been a popular ditty or blues that they didn't compose, but by the time they were finished with it they had composed a new piece that often bore little resemblance to the original song. Many of these virtuoso musicians were not good sight readers and some could not read music at all, nevertheless their playing thrilled audiences and the spontaneous music they created captured a joy and sense of adventure that was an exciting and radical departure from the music of that time. The first Jazz was played by African-American and Creole musicians in New Orleans. The cornet player, Buddy Bolden is generally considered to be the first real Jazz musician. Other early players included Freddie Keppard, Bunk Johnson and Clarence Williams. Although these musicians names are unknown to most people, then and now, their ideas are still being elaborated to this day. Most of these men could not make a living with their music and were forced to work menial jobs to get by. Throughout the growth...

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