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catcher in the rye. Hello, is Salinger There? ... The theme of irony can be
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The Catcher In The Rye. Catcher in the Rye Symbolism ... as Phoebe. Holden now knows
that he must become the catcher in the rye. He feels that ...
Is “The Catcher in the Rye” a subversive text? Is “The Catcher in the
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The Catcher In The Rye: Connection To The Title. ... In chapter 16 we have the first
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The Catcher in the Rye. ... In The Catcher in the Rye Holden does not have an imagery
friend but he does have friends to talk to when he needs someone to talk to. ...
Submitted by oppapers on May 4, 2002
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Hello, is Salinger There?
J. D. Salinger's only published full-length novel, The Catcher in the Rye, has become one of the most enduring classics of American literature. The novel's story is told in retrospect by the main character, Holden Caulfield, while staying in a psychiatric hospital in California. This is a coming of age tale that is wrought with irony. Holden Caulfield, Mr. Antolini, and Phoebe are the main symbols of irony.
The first and most obvious subject of irony is the novel's protagonist, Holden Caulfield. His hatred for anything "phony" is ironic because he to is deceitful. He is constantly performing by taking a new identity for each new situation he is in. For example, in the train scene he makes up stories about one of his classmates in order to delight his classmate's mother. He not only initiates a new identity for himself, but he also spawns a whole new fictional account of life at Pencey Prep. He even admits that he is an impressive liar. Because of his hatred for anything artificial, he searches for something real. In his naïve and desperate way he is searching for anything which is innocent and sincere (Parker 300). He fantasizes about removing himself from society and becoming a reclusive deaf mute. Regardless of his independent personality, he clearly demonstrates how severely he needs companionship. His thoughts are always of his sister, Jane Gallagher, and additional people. Another fantasy of Holden's is to be the "catcher" of children's innocence. Holden's fantasy elaborates his obsession with innocence and his perhaps surprisingly moral code (Walters 1009). However, it is clear that his real desire is to be salvaged from the emptiness of his negativism. This is realized when he telephones Mr. Antolini and when he admits that he almost hopes that his parents will catch him as he sneaks out of the apartment. The Catcher, in fact, wants to be caught, the saviour saved (Engle 45).
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