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Animation in America. Animation in America Throughout history, animation has been
a constantly evolving source of cultural and political satire. ...
... of America (WGA)WGA, issues arose between the WGA Writers Guild of America (WGA)
and the AMPTP over DVD residuals, union jurisdiction of animation and reality ...
... "Anime in America" Anime, or Japanese animation, is a style of animation most
recognizable by characters with large eyes and beautifully detailed backgrounds. ...
... But a fraction of anime’s collective qualities, these characteristics establish
the core of its transcendence of America’s animation. ...
... But a fraction of anime’s collective qualities, these characteristics establish
the core of its transcendence of America’s animation. ...
Submitted by emailzac on December 5, 2005
Category: Miscellaneous
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Animation in America
Throughout history, animation has been a constantly evolving source of cultural and political satire. It continuously touches upon issues of race, sexuality, politics, and the general social structure of American culture. Due to its broad capabilities of expression animation has the ability to create television shows that are both amusing to children and thought provoking for adults. This can even be seen with some of the first animated shorts ever made. During the Great Depression, the rise in cinema’s popularity gave rise to animations popularity. This time is often referred to as the Golden Age of cartoons where the animator had control. Unfortunately around the 1960’s cartoons fell into the dark ages where the power was taken away from the cartoonist in an attempt to make as much money as possible. However within the past decade there has been a rise in quality animation with the creation of such shows as The Simpsons and such networks as Comedy Central and Cartoon Network.
From the beginning, animation has touched upon such controversial issues as race and war. These cartoons are so controversial that many of them are not aired Fig. 1: Bosko and Honey in Hold Anything (WB 1930)
anymore. The most perfect example would be Warner Brothers who aired their first cartoon in 1929. The Cartoon was named Bosko, the Talk-Ink Kid and starred a character named Bosko who was a stereo typed African American boy, who looked like a monkey more than a human (see Fig. 1). These cartoons, intentionally or not, portrayed an image of the social culture at that time:
\"We never knew what he was,\" Ising claimed in an interview, years later. Actually, despite his little black animal nose, audiences could easily see that he was a caricatured black boy — unacceptably stereotyped by today\'s standards, but not mean-spirited, nor considered insulting by the standards of the time” -Don...
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