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Analysis of Plato the rebublic. At the beginning of Book I, we are introduced
to the narrator, Socrates, and his audience of peers. ...
Submitted by Michellehaugh on August 24, 2005
Category: History Other
Words: 5378 | Pages: 22
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At the beginning of Book I, we are introduced to the narrator, Socrates, and his audience of peers. We are made aware, however, of Socrates' special charm and intellectual gifts through the insistence of Polemarchus and the other men for the pleasure of his company. The tone is casual and language and modes of expression rather simple, as is commonly the case in Plato's dialogues. However, Plato's unaffected style serves at least two purposes. For one it belies the complexity and elevation of the ideas, thus it is in accord with Socrates' characteristic irony itself, which draws the "fool" in by feigned ignorance, only so that the master can show that he does not know what he thinks he knows. And second, the plainness of style
complements truth and wisdom, the aim of all the dialogues, which by nature are aphoristic.
In Socrates' conversation with Cephalus, the proper approach to aging and the state of old age is addressed. Although other men Cephalus' age commonly complain that for them, "life is no longer life," Cephalus feels that they misattribute discomfort and unhappiness resulting from their defective characters to advanced age. Building on a statement by Sophocles, Cephalus concludes, "he who is of a calm and happy nature will hardly feel the pressure of age." Socrates' inquiry as to whether Cephalus' happiness owes to the comfort of wealth demands a qualification of this position? That while a man's nature ultimately determines his peace of mind in old age; wealth is also an undeniably important factor.
The passage concerning justice illustrates Socrates' dexterous intellect and his dogged skepticism. Playful and humorous at times, the conversation ends, at several points, in absurd--and apparently inexorable--conclusions such as that the just man is a thief. What is at work here is another type of irony, in which Socrates and his auditors accept as a temporary resolution what the dialogue's audience, i.e. the reader, cannot. Here,...
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