"With Particular Reference To Public Opinion And Wider Political Implications, Critically Assess The Impact Of Press And Broadcast Coverage Of The Palestinian Conflict."

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"With Particular Reference To Public Opinion And Wider Political Implications, Critically Assess The Impact Of Press And Broadcast Coverage Of The Palestinian Conflict."

"With particular reference to public opinion and wider political implications, critically assess the impact of press and broadcast coverage of the Palestinian conflict."

The implications of media coverage on the Palestinian conflict are many. The superficiality and commercialisation of the media has resulted in a confused public opinion of the conflict, one of propaganda, naivety, and frequent misunderstanding.

With particular reference to television, the media has come under fire for its surface scratching, depthless propaganda-like reporting of an illegal Israeli occupation of Palestine that can rightfully only come under the name of terrorism.

To examine the implications of television reporting of the conflict we have to familiarise ourselves with media developments in television news. Television is the only medium that, in a 21st century world, is “…‘used and respected by almost everyone. It is the only news medium presently capable of reaching across the while of British society’ (Hargreaves and Thomas, 2002: 5)” (Thussu and Freedman, 2003:118).

According to Thussu, Media coverage of conflicts has become a genre in its own right, a ‘24/7 News’ constant flow of “words, sounds, and images…” (Thussu, 2003: 117). The competitive nature of television news, and its commercial base, can lead to sensationalisation, and trivialisation, of complex issues, as Thussu argues “…news is largely about conflict, and conflict is always news.”(117)

Shaffer (2002) asks the question “whether the entertainment industry is an extension of the war system, or whether war is simply an extension of our need for entertainment?” with this world of 24/7 news, of fantastical words derived from theatrical, entertainment origins (theatre of war, stage and so on) he explains that our minds have become passive, and whether asked by politicians or actors, we suspend our judgement on what we...
  • Submitted by: partpeople
  • Date Submitted: 04/27/2008 11:09 AM
  • Category: Miscellaneous
  • Words: 1888
  • Pages: 8
  • Views: 360
  • Rank: 10354

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